When the two powerhouses of Herzog and Popol Vuh combined, the result was pure magic.

Composer Joseph Shirley discusses his score for THE BOOK OF BOBA FETT, working with Ludwig Göransson and embarking on new adventures.

Gavin Brivik discusses his path into composing for film, his experience working on CAM, and his fave horror films.

Mansell’s iconic collab with the Kronos Quartet is one of the most emotionally haunting and tragically beautiful scores of the modern era.

Zuckerman chats all about LUCKY, scoring for SCREAM and that one time he worked with David Lee Roth.

The score for THE SHINING remains a prime example of the sheer power behind a well-executed vision.

The first of several collabs between Bava and Cipriani, A BAY OF BLOOD, beautifully highlights Cipriani's incredible talent and versatility.

Justin’s new-wave dusted intergalactic expedition through sound is a must-own piece for sci-fi score enthusiasts.

Simon Boswell discusses his new album, working with visionary directors, adapting to changes in technology, and so much more.

Krlic’s score for MIDSOMMAR is an example of what can happen when a composer perfectly pushes against conventional scoring expectations.

Composer Andrew Lockington discusses Sheridan’s devoted approach to music, the power of silence, and coaxing music from a prison.