ALIEN ON STAGE is the Perfect Counterargument to Blowing All of Humanity Out Into Space
[Fantasia 2024 Review] THE SOUL EATER Offers a Dark, Folk-Horror Spin on the Standard Police Procedural
[Fantasia 2024 Review] THIS MAN is No Dream Scenario
[Fantasia 2024 Review] CUCKOO is a Delightfully Odd Little Duck of a Film
[Fantasia 2024 Review] THE BEAST WITHIN Delivers a Monster Message
[Fantasia 2024 Review] THE DEAD THING Redefines Ghosting
[Fantasia 2024 Review] KRYPTIC is a Surreal and Gooey Look at the Monstrous
[Fantasia 2024] Five Films We're Stoked to Check Out at Fantasia 2024
[Terror on the Turntable] NOSFERATU THE VAMPYRE: Diving into Popol Vuh's Beautiful Abyss
[Dead Format Feature] FREAKY FOLKLORE, the New Book from Eeriecast Hosts
Interview: Composer Joseph Shirley on Scoring THE BOOK OF BOBA FETT
Interview: CAM's Gavin Brivik Talks Composing For A Digital Dream
Interview: Ariel Powers-Schaub Talks MILLENNIAL NASTIES, Horror Trends, and More
Stale Stoner Stereotypes Go Up in Smoke with Marty From THE CABIN IN THE WOODS
[Terror on the Turntable] Clint Mansell’s Iconic and Emotionally Devastating REQUIEM FOR A DREAM Score
Interview: Crawl Inside The Practical Magic of THE WRETCHED with Makeup FX Artist Erik Porn
Here They Grow Again: Celebrating the Mogwais and Mischief of GREMLINS 2: THE NEW BATCH
Interview: LUCKY Composer Jeremy Zuckerman Talks Inspiration and Pushing Against Sonic Conventions
[Terror on the Turntable] Stanley Kubrick's THE SHINING: A Legacy of Soundtrack Perfection
Interview: Production Designer Erin Magill on Designing SWALLOW’s Deliciously Beautiful World